Let’s say you and your buddies start a company, and before long you’re generating pretty good revenue. You hire some people, schmooze it up at trade shows, maybe even have a suck-up salesman buy you lunch from time to time. Then after three years, let’s say some European hotshots buy your company (woohoo!), give you all raises and stock options and cool new titles . . . only to fire you all and most of your staff eight months later.
What would you do? As you wobble out of your office with a box full of personal items, how would you regain your equilibrium? Where would you go to find your bearings? Well, here’s where you might start:
On the Field
You watch him struggle to drag everything out in one trip, but it’s all there: soccer goal and ball; basketball; baseball bat, glove, ball, and home plate; football and tee; tennis racquet and ball; and, of course, pommel horse (not really). He picks up the mitt and you see him transported to Angel Stadium, and immediately you know the Yankees are in trouble again today. As always, he plays every position for every team while also doing the play-by-play. You watch as once again he throws the pitch, hits the ball, fields the grounder, runs to first, and tags himself out (somehow)—all while describing it for the fans. He is alternately Chone Figgins, Bartolo Colon, the prodigiously talented “Watkins Guerrero,” and his best friend Cameron. It is a formidable line-up to say the least.
When his team wins each game (as assuredly they do), you see him move into another season and assume the MVP position for each team. He nails three-pointers for the Lakers, scores touchdowns for UCLA, and pounds tennis balls off of the stucco (and sometimes the family room window). As you watch the Olympics that continue to unfold before you, you consider how poorly the word “play” describes what is taking pace. When at last he comes inside for a glass of milk, he declares the score of each game and recounts the amazing sequence of plays that led to each victory. So of course when he wonders if you would like to see an instant replay of the winning touchdown, you can’t resist. Fortunately, the announcer will be in the backyard with you to provide analysis as the play unfolds.
The athlete’s name is Seth.
At the Studio
There are 15, maybe 16, girls standing at the barre, each in matching leotards, hair pulled back tightly in a bun. They range in age from 11 to 15, with little difference in their apparent abilities. The teacher calls out instructions, sounding increasingly like he’s doing a dramatic reading of a French menu: “chassé, piqué, sauté, flambé, pommes frittes.” The girls respond in unison, and you think to yourself: “Clearly they’ve eaten here before.”
Even if you don’t speak the language, when you marry a dancer eventually you will find yourself staring ignorantly at a stage full of ballerinas. And in a sometimes futile quest to stay awake, you’ll begin to notice that certain dancers just stand out. You’ll discover that your eye returns again and again to the same one even though it’s a regular tutu-palooza up there. Later you’ll be informed that the one you noticed is even famous, but you’ll get points anyway for having stayed alert long enough to figure out which one was the star.
It works the same way even in a class of divas-in-training. You try to survey the entire room, but you can’t help yourself: your eyes want to watch the youngest one, the 60-pounder with freckles, the one with the flexibility of a contortionist and the grace of a swan. There’s something about the way she tilts her chin or moves her hands or points her foot. You may not be sure what it is, but whatever it is she’s got it. Lots of it.
The dancer’s name is Bryn.
At the Black Box Theatre
There are chairs enough for perhaps 100 people, but they didn’t all show up. Most who are here are high-schoolers with quirky personalities and equally quirky taste in clothing. Someone has made sure that there are eccentricities sufficient to go around, and it occurs to you that by wearing standard issue Levi’s you’re perhaps the only one who doesn’t fit in. At the front of the room is a solitary microphone, encircled by a single light from overhead. You think to yourself that there should be roasting coffee and a blissed-out bongo drummer as well. How can you have a poetry reading without a bongo drummer?
The evening is charged with hormones and nervousness and . . . something else. It’s not clear how you know it, but you can tell that this is a safe place where it’s OK to try something that may or may not work. The sense of acceptance makes the air lighter somehow. One by one the students come forward to read one of their recent compositions, to get briefly intimate with a few friends and a whole bunch of strangers. A few pieces are pretentious, several are incomprehensible, but most are thought-provoking and well-crafted. It occurs to you that you could never do this in a million years.
The tall kid with wire-frames strides forward. He’s wearing one of his signature hats—an olive green fedora—and mismatched socks. You glance quickly around the room because you know something the others in the audience do not: They’re about to be blown away.
The writer’s name is Luke.
In the Classroom
All the first-graders are crammed into one classroom: 60-some kids mooshed into the aisles and along the walls. The energy in the room is so intense that you anticipate an unscheduled brown-out in Pacoima. The mom at the front has worked the kids into a frenzy, with half of them shouting “Reader Leaders rule!” and the others responding with “Books are cool!” And the kids apparently believe it, because in just five weeks they’ve read almost 2,000 books.
Later that night, as you wander the neighborhood on Halloween, one of the neighbor kids grows so excited when he spots the Reader Leader Lady you begin looking around for paparazzi. His smile reveals both missing front teeth and genuine affection. “Wouldn’t it be cool,” he says, “if instead of candy each house gave out books?” Cool indeed.
The Reader Leader Lady’s name is Dana.
You never have to go very far to remind yourself that you have been blessed far beyond what you deserve. At this time of year, I am above all most grateful for the ones I love.